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Showing posts with label tradition. Show all posts
Showing posts with label tradition. Show all posts

Saturday, February 9, 2013

Madison Square Garden Moments Part Two

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(Author’s Note: You can view part one right here.)

To truly understand the existential importance of Madison Square Garden to present day WWE, you must go back to the era of the territories.

In 1948, the National Wrestling Alliance formed. It pretty much aligned all the major promotions within the United States together. While there were regional bookers who had their own clientele of talent, they all had to share one recognized World Champion.

This seemed dandy until two major federations broke away later on.

One of them would be Verne Gagne and the Minnesota-based AWA (American Wrestling Association).

The other would be Vincent J. McMahon and the WWWF (World Wide Wrestling Federation).

McMahon, the father of Vincent Kennedy McMahon, would run shop in the Northeast. For all the towns and all the venues, only one place would hold the major cards, feud-enders, and everything in-between: Madison Square Garden.

Located in New York City on 34th & 6th Street, MSG held the trials and tribulations of many a superstar over the years.

It’s history is so vast that a singular list of moments would do this invaluable establishment injustice.

In this continuing retrospective, we’re gonna look at just a few of MSG’s greatest contributions to WWE’s history.

One of the reasons why The Garden is so important is because it can link the lineage of WWE with mentions of newly-announced Hall of Famer Bruno Sammartino and  sooner-than-later Hall of Famer John Cena in the same breath. MSG has always been a hotbed for wrestling, and this is another in a series of small articles to prove it.

So here we are, another sampling of why MSG so great. (Note: These are not in chronological order!)

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Jimmy Snuka Takes A Leap of Faith. October 17th, 1983.

There are some ways the WWE has changed a lot since 1983.

One big example is the treatment of cage matches.

Today, cage matches are nothing more than a no-disqualification match stuck inside four sides of mesh and no blood. They are usually feud-fillers and lead to something greater.

However, back in that era, cage matches were usually the culmination of a feud. Whether that struggle was for weeks, months, it didn’t matter. Cages were usually the last resort.

On that particular Autumn day, Jimmy Snuka did the leap of faith.

Literally.

This cage battleground was a bloody and vicious affair. Both men had the battle scars to prove it.

Jimmy Snuka hit Muraco with a head-butt. Only this tactic unintentionally allowed Muraco to fall out the cage door and win the match.

To say Snuka was unsatisfied would be a general understatement.

By bringing Don’s ass back into the cage, Snuka proved to the world two things.

One: Muraco’s win was a fluke.

Two: SUPA, SUPA, SUPAFLY!

While Snuka had attempted this stunt before, it was usually meant with little fanfare or missed.

This time, THE ROCK hits the spot!

MSG popped in awe over this moment!

Especially one disobedient, hitchhiking Mick Foley. Donned in his now-signature flannel apparel, his jaw dropped to the floor when Snuka performed career magic. From here on, Foley would dedicate his life to the sport of professional wrestling. For the next 20+ years, Foley would execute a career grand enough to be considered an induction into WWE’s Hall of Fame.

Where you ask? Madison Square Garden!

With a little hitchhiking and imagination, one match with one moment can spawn one spectacular career.

_________________________________________________

Randy Orton Kicks Mick Foley Down a Case of Stairs. RAW, June 23rd, 2003.

Amongst other moments in the history of Madison Square Garden, smaller moments are usually overshadowed in the grand scheme of things.

Take this little nugget from time.

Evolution (Randy Orton and Ric Flair for this instance) jumped Foley backstage after Flair took insult to a supposed compliment from Mick. It would ultimately lead to Orton and Foley brawling near a set of stairs.

Then Foley was sent down the stairs via a vicious punt to the skull. And no, it was not like the punt Orton would later make his signature.

Off and on for the next several months, Foley would appear to be the thorn on Evolution’s prickly ass.

Whether it was as an interim General Manager.

Or just a guy who got a loogie spat on him.

Foley was waiting for his revenge.

Only problem was that he wasn’t going into WrestleMania XX on his own against three gentlemen.

CUE THE ROCK!

Now it was still a handicap match, but a star-studded one nonetheless. Rock n’ Sock vs. Evolution (with the addition of Batista) was on!

In an ironic twist of fate, Orton was the one who got the duke after scoring a clean RKO on Foley. This would set up a feud-ending No Holds Barred match at Backlash for Orton’s Intercontinental Championship.

While some MSG moments are just that, moments, some are turning points that have lasting ramifications. This was case in point.

_________________________________________________

Cactus Jack Debuts in the WWE. RAW, September 22nd, 1997.

 

Austin stuns McMahon is the moment that inaugural RAW from MSG will be remembered for.

However, I will be completely remiss if this is completely ignored.

This wasn’t exactly a blow-off that Mick Foley was going to have against Hunter-Hearst-Helmsley. As a matter of fact, it felt like a side-step to not only bigger feuds at the time but also matches down the road.

What did transpire before the match is legendary, and definitely is a moment affiliated with The Garden.

Tony Chimmel introduced Hunter, along with Chyna. Both looked focused, determined, and confident to whoop some ass.

Chimmel then announces Dude Love who was supposed to be HHH’s opponent.

NOT SO FAST!

Dude appears on the titantron. His hippie dippie weather man appearance can’t stand the weapons and other miscellaneous warfare.

He then introduces a kind man.

For all of you who didn’t get it, IT WAS MANKIND! Old-school non-Corporate Mankind.

Mankind says as much as he would love to beat up Helmsley again, he knows of someone who not only shares that feeling, but could probably do a better job.

ENTER IN CACTUS JACK!

Armed with a garbage can, Jack ominously threatens Hunter with how this will be the darkest day in his life.

Wouldn’t be the only time that’s happened in the Garden.

With Love signing off as “Ohhh, have mercy,” Cactus came out to the roar of the crowd.

The two would then have the best match of both of their 1997 calendar year.

Chyna even got a few licks in before Cactus gave Triple H a piledriver through a wooden table on the stage! Cactus expressed a disturbed, psychotic smile as he conquered the King of the Ring.

Via some old-school video trickery, WWE pulled off a once-in-lifetime promo that only Mick Foley could execute. Along with a reaction from Triple H likewise.

_________________________________________________

Undertaker Returns! Survivor Series, November 17th, 1996

 If a feud went any longer than, let’s say, three months nowadays, the internet would be complaining about WHEN WILL IT END??!?!?!

Back in this time however, feuds were allowed to breathe.

And elaborate.

And sometimes procrastinate.

By the time November of 1996 rolled around, Undertaker and Mankind went through several wars together.

Two consecutive PAY-PER-VIEW victories went to the newly-arrived Mick Foley. A shockingly clean victory at King of the Ring, coupled with the steepest of betrayals from Paul Bearer at the Boiler Room Brawl at Summerslam, meant that somewhere down the line, the big guy would get his revenge.

In a way.

Undertaker would face off against Mankind in a Buried Alive match on the gimmick-named pay-per-view.

The Phenom had the deranged one finished off with a Tombstone, and barely covered him in enough dirt to be called the winner.

Post-match, Undertaker was jumped on as if this was the 1994 Royal Rumble casket match again. Several heels came down to partake in a gang beat-down of ‘Taker complete with dirt coronation.

After it was all said and done, Undie laid waste under more than the proverbial six feet of dirt.

In one of the greatest visual tricks the WWE had ever seen, a lightning bolt hit the mound of dirt. Shortly afterwards, a hand rose out of the grave like a freshly incubated zombie. This would set up Survivor Series.

Sure there wasn’t a stipulation applied to the match itself, and sure Paul Bearer was inside of a cage HIGH above the ring, but the entrance is one sadly forgotten amongst time.

You see, Mark Calloway was temporarily the WWE equivalent of Adam West.

He was…

THE BATMAN!

As the above picture can attest, it had wings. Wings that made it look more like Wile E. Coyote’s aerodynamic costume than a wrestling stunt.

What the entrance also portrayed was perhaps a brand new character. ‘Taker was decked out in black leather, an outfit an replaced the shaggy old shindigs of years gone by. It also represented a different albeit more aggressive style in which Undertaker would step up his game tremendously over the coming year or so.

‘Taker and Mankind would brawl as soon as the dead man forcibly put the big fat lardass Bearer inside the cage.

Undertaker would ultimately gain his true first clean pinfall victory over the demented kind man. The joy would be short-lived as once again he had to endure surprise attack. This time it was by a short-lived character known as The Executioner (played by well-out-of-his-prime Terry Gordy RIP).

The less said about that feud the better.

It wasn’t the first or last time Undertaker would battle Mankind.

It wasn’t the only time Undertaker made a dramatic return at MSG.

Hell, it wasn’t the only time a manager would be hoisted up inside of a cage above the ring either.

However, it needed to be said: that entrance was awesome!_________________________________________________

CONCLUSION

That wraps up another installment of Madison Square Garden moments.

Unlike the first list where it was four random moments put together, this list had a running theme to it.

All four moments, one way or another, centered around Mick Foley. Foley as a fan, Foley as Cactus, Dude, or Mankind. Or Foley as the man who wanted to say hello, but got much more than that.

As mentioned earlier, Foley’s inspiration into becoming a wrestler morphed from a chance viewing up close and personal of the bloody war between Snuka and Muraco. Complete with the leap of faith.

The same arena where Foley’s new leash on life began will culminate in a Hall of Fame induction alongside other men and women whose inductions are more than justified.

Foley’s career was spiced by the interactions of other interesting characters mixing with his own. Madison Square Garden’s character was more than great enough to house these special moments.

 

Thursday, December 6, 2012

A Twisted Christmas Album Review

Once upon a time, a great podcast was sweeping across the nation. It delivered hopes and dreams to twelve eager listeners. Their minds would be expanded each and every week by their exploits.

Hosted by RD Reynolds and Blade Braxton, that podcast was WrestleCrap Radio!

(While the show is sadly defunct, the main website WrestleCrap.com is very much alive and well. It’s awesome and a must-read for any wrestling fan. Now on to the regularly scheduled album…)

So you're reading by this point and wondering what the heck this has to do with a music review.

I'll tell you!

On the December 15th, 2006 edition of WCR, which I downloaded immediately after it was available, there was a holiday-themed opening. Instead of the usual spiel, there was a hard metal edge that sounded a lot like Deck the Halls.

And it sounded a lot like it was performed by Twisted Sister!

This sample of music would change the very foundation of Christmas music enjoyment forever.

Today, you'll get to read about how this LP would turn the good ol' favorites and transform them into raging demons of hellfire and brimstone. This my friends is A TWISTED CHRISTMAS!

  1. Have Yourself a Merry Little Christmas: Oh come on here! Dee Snyder is trying to sing this legit? NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO! The opening of this track is Dee, a trumpeter, and a guitarist strumming in the background. Dee’s vocal chords are horrifically out of tune, the aforementioned trumpeter is botching every other note, and it's more painful than a root canal. One of the band members barges in and demands to know,“WHAT IS THIS CRAP?” After a forceful persuasion, Dee finally gives in. “We never play anything nice and easy... We play things TWISTED!” A full array of guitars and various percussion instruments proceed to give this song a beating heart. Most renditions of this song are slow, but this one is balls to the wall intense. A brooding foreshadow of what’s to come! The sound doesn't resemble the olden days, does it folks?

  2. Oh Come All Ye Faithful: If you are listening to this album for the first time and realize something is familiar, you're 100% correct. This holiday classic was re-arranged to the tune of the 1980s hit “We're Not Gonna Take It”. Holy crap did it turn out well! Like the prior song, the original is a slow-paced easy-listening crowd-pleaser. This song is a crowd-pleaser indeed but one that would lead your grandparents utterly horrified. In the chorus, it's usually a hand-picked few whose voices are supposed to echo soft notes of enchantment. TS's version is more like a head-banging rage whose style never aged.

  3. White Christmas: If you want to know how popular the original of this song was, consider this: Bing (not the search engine) Crosby's un-imitable croon sold millions of copies. Unlike today where files don't disintegrate, old record masters did. That original master became so warped from the duplications that Bing had to completely re-sing the tune to make another master. Dee Snyder may not be Bing Crosby, but if you bought this album thinking he might be, you're insane! The song feels like a big sleigh ride really, as the guitars mush to an incredible tempo rate. Dee's intensity on a soft as snow track is a stark contrast to what has been known before.

  4. I'll Be Home for Christmas: Unlike a Sesame Street sketch, there are two things that make this song stand out. One, this is probably the only track on the whole album that sounds sentimental. Two, this is the only track with a guest singer in Lita Ford. No, not the Lita from WWE, but she sounds quite nice nonetheless. There is one qualm about her appearance on the track: someone on the editing side thought it was a good idea to do some reverb in her voice. THAT WAS TERRIBLE ASSHOLE! Back to the sentimentality for a moment. This is the slowest playing track on the album, but this was probably intentional. Having this somewhat sappy tune in the middle of things brings wide range to the album as a whole. It's like a good cup of coffee: not too strong, not that weak, and with a good amount of seasoning. Even if some of the beans were burnt.

  5. Silver Bells: Back to the camaraderie of the first few tracks! For a song that's usually slow on its feet, this is running at full speed while knocking over midgets and small children. The chorus has that 'rage' quality going on again. If you're someone who hates Christmas music for its pompous stereotypes, this is certainly a song to change your mind. It's five minutes long, which not only makes it the second longest track on the album, but also shows off a lot of jamming. I mean, there is nothing but flat-out instrumentals for probably combined half the track!

  6. I Saw Mommy Kissing Santa Claus: Yes, they had to go there. Instead of the soft tease of giggling the usual versions provide, this is like someone telling you flat-out to your face this inevitably happened. With the amount of poon most metal performers have in their time, it must be disconcerting to come back in the older years to reminisce about such a scene. For all the wrong reasons, this song feels right at home on this LP.

  7. Let it Snow: Like a lot of other tracks on this album, the original is a slow-goer that allows the listener to slow down enjoy the atmosphere. Instead, Dee Snyder and company invite you to endure a blizzard of guitars with the wind speed generated off the drums equivalent to a hurricane. That echo of rage is back again in the chorus, and that's always a treat. There is no easy relaxed feeling to this track, its all balls to the walls yet again!

  8. Deck the Halls: As sampled from earlier, this was the song that led me to the proverbial dance. It charges in aggressively, and never lets go. The track remains cheerful yet boisterous. The flaming Yule is a literal imagery for the sound of this whole album. 'Halls' may slow down in the middle just a tad, but it picks you right back up to thrash some more. One of those rare seasonal songs that can be played normally in the heat of the summer!

  9. The Christmas Song: You know, the one that starts with those nuts named chestnuts roasting on an open fire? Yeah, THAT ONE! Sister's rendition of this has potentially unintentional demonic elements all over it. For one, the guitars make all the “characters” come alive (I.e: Jack Frost, the children with eyes glowing). Dee's sinister growl gives this track even further extrapolation from the original. This version has style and substance to keep the listener entertained while going at a somewhat traditional slow tempo.

  10. Heavy Metal Christmas: It's exactly what you think it was going to be. This is the warped bastard son of the traditional 12 Days of Christmas drone. Here's the list:

    12 Silver crosses
    11 Black mascaras
    10 Pairs of platforms
    9 Tattered t-shirts
    8 Pentagrams
    7 Leather jackets
    6 Cans of hairspray
    5 Skull earrings
    4 Quarts of Jack
    3 Studded belts
    2 Pairs of spandex pants
    And a tattoo of Ozzy!

Everything about this song sounds absurdly out of proportion. No little drummer boys or partridge's on the pear tree! It's gruff, rough, and yet composed. All of the items listed can definitely fit in the metal alter-ego of the famous original. The final countdown of the list features the guys counting down with the intermittent guitar riff. Oh so grand, but with this in mind, this ends the album!

As noted from the top, this compilation completely changed my perception on the traditional Christmas album.

Most LP's of this nature feature a famous crooner slowly going through the songs at hand. The tempo is designed for those listening to slow down, take it all in. There's nothing wrong with it, and there are many awesome covers from many different artists on these song choices.

If there are complaints, they are few. All told, this album is a shade over forty minutes. While every minute is quality, one could help but wonder if another song or two were added. Imagine a metal version of 'Silent Night' or even 'Frosty the Snowman'?

The other real problem is Lita Ford's reverberation in 'Home for Xmas'. Completely un-called for, and took the whole track down a peg. As a whole, it wouldn't affect replay value much as long as the fast-forward button is ready.

That being said, TS really brought their 'A' game to a literal simple subject. It's obvious that the songs aren't just Christmas tunes, but are also a part forever more of Sister's repetitoire. Some of the songs are needlessly loud, hectic as all hell, and absolutely unnecessary in their execution. To this blogger and many other people, it shouldn't have been done any other way.

Twisted Sister originally was going to retire on this note, but their interpretation of this joyous holiday was so epic that they are still doing the occasional show here and there. Boy am I glad I invested time to listen to this cover to cover, because with this, Twisted Sister should NEVER retire! Heck, who wants to see ANOTHER METAL CHRISTMAS?

Also, another reminder to support these great sites if you like what you see here:

The Johnson Transcript

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